I aimed to make painted objects: paintings that exist by themselves, as separate phenomena. These paintings represent a sensitive inquiry into the unique quality of their subjects as well as a painterly exercise along the fine line between the figurative and abstract. The "Animal Skins” sprang from my deep visual unconscious; they were painted without models, based purely on memories. Atavisms of functional objects and symbolic treasures, these objects embody the trophies and the furnishings of ancient interiors, and of human bodies past and present.


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