T R A N S F E R
As a continuation to my ongoing motion cycle, I commenced a project in 2020 instantly by finding a new source material and medium to work with. The plywood sheets with their natural patterns showing up as repetitions of ornaments on the surface - are perfect backgrounds for the distorted street views. I use the printmaking technique of dye sublimation with a special selection of images for the wooden surfaces, where the panning layers create an intense, painterly atmosphere. It's sort of a conceptual imaging process, with a fresh and playful outcome, that upcycles the industrial trash (raw plywood sheets) and makes a connection with "motion in reality" for the Google street-view images, in the same time, finds them a new stage through their marriage.